Publishers Weekly (06/25/2012):
Ware provides one of the year's best arguments for the survival of print. In more than 200 pages spread over 14 separate printed works that include broadsheets, booklets, and full-sized books, Ware tells the visually stunning story of a nameless woman as she lives a quiet, frustrated life in Chicago. Ware gives voice not only to his nameless heroine but to the people who pass through and fill her life, peering in on the dysfunctional couple that lives below her, the wistful memories of the woman's ancient landlady, the old and crumbling building she lives in, and even the comedic blunderings of a bee named Branford, bringing together stories filled with grief, doubt, and self-loathing. Ware's paper archipelago can be read in any order, making his heroine's progression from single apartment life to dissatisfied motherhood in Oak Park, all the more personal, as if the reader is leafing through her memories, rather than following her linear story. Ware's artwork consistently overshadows his creation's anxieties, her frets and worries made even smaller and pettier by Ware's intricate and expansive art. But the spectacular, breathtaking visual splendor make this one of the year's standout graphic novels. (Sept.) Copyright 2012 Publishers Weekly, LLC Used with permission.
Kirkus Reviews (08/01/2012):
A treasure trove of graphic artworks--they're too complex to be called comics--from Ware, master of angst, alienation, sci-fi and the crowded street. At 44, Ware (The Acme Novelty Library, 2005, etc.) is old enough to remember the day when you could stick a few dollars in an envelope, send it off and have a box full of strange goodness come to your door--a mystery box, that is, with puzzles, games, gag items and maybe one or two things worth keeping. Opening the oversized box that contains the many pieces of this book is a kindred experience: It's not quite clear what's inside, save for brightly colored paper in various forms, from foldout poster to ultrathin, small notebook to sturdy hardcover. Each package contains a story set, as the title suggests, in or near a teeming city. How the reader reads these seems not to matter, for the box is like a river, if that's not too mixed a metaphor, into which one steps where the current seems safest; there's no beginning to it and no end. One thing is clear: Not many of Ware's characters are happy, even if they live in buildings that are overstuffed, like this box, with things. One young woman, for instance, recounts, "There were whole stretches of days where I never even left the house at all...never saw or talked to another human being...I just ordered pizzas, watched TV, and read books....Of course, I went grocery shopping, and a couple of times I walked to the 'downtown' of the suburb and ate dinner by myself, just for variety's sake." That's a humdrum existence by any measure--especially the being stuck in the suburbs part--but considering the likely fate of the little honeybee, Branford, who is the hero of one of the little books, it's not to be dismissed. And anyway, try finding a four-room flat for $650 a month in the city these days--one in a building that, in Ware's surreal inventory, has seen 13,246 light bulbs, 725 roasted turkeys and 158,854 lighted matches--all of which add up, one suspects, to the number of ways in which one can read this puzzling tome. A dazzling document, beautifully if most idiosyncratically drawn; in this iteration, sure to become a collector's item, though one that begs for an easier-to-handle trade edition. COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.
*Starred Review* Ware has been consistently pushing the boundaries for what the comics format can look like and accomplish as a storytelling medium. Here he does away with the book formata thing between two covers that has a story that begins and endsentirely in favor of a huge box containing 14 differently sized, formatted, and bound pieces: books, pamphlets, broadsheets, scraps, and even a unfoldable board that would be at home in a Monopoly box. The pieces, some previously published in various places and others new for this set, swarm around a Chicago three-flat occupied by an elderly landlady, a spiteful married couple, and a lonely amputee (there's also a bee bumbling around in a rare display of levity). The emotional tenor remains as soul-crushing and painfully insightful as any of Ware's work, but it's really insufficient to talk about what happens in anything he does. It's all about the grind and folly of everyday life but presented in an exhilarating fashion, each composition an obsessively perfect alignment of line, shape, color, and perspective. More than anything, though, this graphic novel (if it can even be called that) mimics the kaleidoscopic nature of memory itselffleeting, contradictory, anchored to a few significant moments, and a heavier burden by the day. In terms of pure artistic innovation, Ware is in a stratosphere all his own.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)
Shelf Awareness (11/23/2012):
Chris Ware's Building Stories comes in a sturdy box that contains defiantly non-electronic comic strips, pamphlet-sized graphic short stories, a hardbound volume in the dimensions of a Golden Book, a few comic-book sized collections and a large, hard tri-fold piece that would work in a board game. The story readers must build from these disparate parts (without any instruction or obvious hints) reads like a meditation on the nature of memory itself: melancholy, confusing at times, bittersweet and always from the remembering party's perspective.
Building Stories follows the life of an amputee woman as she grows up looking for meaning and love in an indifferent world. Other stories concern a tenement building in Chicago and the elderly woman who owns it, plus an odd little comic about Brandford the Bee. The formats of solidly printed paper comics collected here are ultimately as important as the stories within. COPYRIGHT(2012) Shelf Awareness, ALL RIGHTS RESERVED.
Components consist of: 1 hardcover vol., 32 cm.; 1 hardcover vol., 24 cm.; 1 booklet, 56 cm.; 1 booklet, 31 cm.; 2 booklets, 28 cm.; 1 booklet, 20 cm.; 1 booklet, 8 x 25 cm.; 5 printed sheets, ranging in size from 9 x 71 cm. to 56 x 81 cm., all folded; and 1 folded board, 41 x 107 cm., folded to 41 x 27 cm. All components are unpaged and are chiefly col. illustrations. None have titles.
Presents an illustrated tale, told in various books and folded sheets, about the residents in a three-story Chicago apartment building, including a lonely single woman, a couple who are growing to despise each other, and an elderly landlady --
Title and other information from box cover.
"Everything you need to read the new graphic novel Building stories; 14 distinctive discrete books, booklets, magazines, newspapers, and pamphlets"--Bottom box cover.
CHRIS WARE is widely acknowledged as the most gifted and beloved cartoonist of his generation by both his mother and seven-year-old daughter. His "Jimmy Corrigan: The Smartest Kid on Earth" won the Guardian First Book Award and was listed as one of the "100 Best Books of the Decade" by"The Times" (London)in 2009. An irregular contributor to "This American Life" and "The New Yorker ("where some of the pages of this book first appeared) his original drawings have been exhibited in the Whitney Biennial, the Museum of Contemporary Art in Chicago and in piles behind his work table in Oak Park, Illinois."
I have now spent a week in sloppy communion with "Building Stories" and am ready to declare it one of the most important pieces of art I have ever experienced. I also sort of want to kill myself...What makes "Building Stories" monumental isn t its unorthodox format. It s Ware s ruthless and tender pursuit of undisguised emotion. His work is brutal in the way all great art is. I can t wait to experience it again. Steve Almond, "The New Republic"
Stunning As usual, Mr. Ware s style is a model of compression in both word and picture. Less usual, for the genre as a whole, is the vividness with which he limns his heroine s intense, if fairly ordinary, inner life The lack of clear structure, much less traditional linearity, turns reading into an unusually active process. This is a great, easily ownable work of art. "The New York Times"
In the end, the process Ware recreates here is universal, which is what gives "Building" "Stories" its resonance. The woman's dream, after all, is everyone's: the dream of making sense of ourselves, of having things add up. That they don't, that they can never, is the paradox, and yet what else can we do but try? Here we have the essential question Ware wants us to consider, and his answer brave, beautiful and brilliant is the story we build out of this box. David Ulin, "The Los Angeles Times "
This book is a masterpiece ."Building Stories "is a masterpiece, above all, because it cares about human beings, many of them women. It cares enough to observe human beings closely, both when they are behaving themselves, and when they are engaging in their manifold selfishnesses. It cares enough about them to depict them when they are attractive and when they are singularly unattractive. The contemporary novel, it bears mentioning, does "not" care this much, because the contemporary novel is so preoccupied with affirmation that it will not risk what Ware is willing to risk. Perhaps Ware risks in this way because, as a person who began by illustrating, he is willing to "see "exactly what s taking place around him, all of it. But by building up his stories from the fragments, from the discontinuous moments, episodes of glancing contact, and the disconnections as well as the connections, he has made something that, if possible, is "more literary "than most contemporary literature. The American novel, that is, has a lot to learn from this very convincing and masterful work. Rick Moody, "Los Angeles Review of Books"
" There s no writer alive whose work I love more than Chris Ware. The only problem is it takes him ten years to draw these things and then I read them in a day and have to wait another ten years for the next one. Zadie Smith
Ware provides one of the year s best arguments for the survival of print the spectacular, breathtaking visual splendor make this one of the year s standout graphic novels. "Publisher Weekly, "starred review
"Chris Ware's"Building Stories"is the rarest kind of brilliance; it is simultaneously heartbreaking, hilarious, shockingly intimate and deeply insightful. There isn't a graphic artist alive or dead who has used the form this wonderfully to convey the passage of time, loneliness, longing, frustration or bliss. It is the reader's choice where and how to begin this monumental work the only regret you will have in starting it is knowing that it will end." J. J. Abrams
You could call "Stories" a game-changer, except so few besides Ware could ever construct such a retro-aesthetic feat. "Washington Post," Top 10 Graphic Novels of 2012
A treasure trove of graphic artworks they re too complex to be called comics from Ware, master of angst, alienation, sci-fi and the crowded street . . . A dazzling document. "Kirkus, "starred review
Ware has been consistently pushing the boundaries for what the comics format can look like and accomplish as a storytelling medium More than anything, though, this graphic novel mimics the kaleidoscopic nature of memory itself fleeting, contradictory, anchored to a few significant moments, and a heavier burden by the day. In terms of pure artistic innovation, Ware is in a stratosphere all his own.
"Booklist," starred review
So far ahead of the game that it tempts you to find fault just to prove that a human made it Ware is remarkably deft at balancing the demands of fine art, where sentimentality is an error, and those of storytelling, where emotion is everything. "New York Times Book Review"
Ware s innovative graphic novel deepens and enriches the form by breaking it apart tackles universal themes including art, sex, family and existential loneliness in a way that s simultaneously playful and profound. "The New York Times Book Review," The 10 Best Books of 2012
"Building Stories" is the graphic novel of the season or perhaps the year, a story that must be experienced rather than read . . . Ware takes visual storytelling to a new level of both beauty and despair in a work people will be talking about for a long time. "Publishers Weekly, " starred review
"This is more than a book; it's a profusion of printed paper....told in Ware's instantly recognizable style, with panels so silent and perfectly composed, they're reminiscent of stained-glass windows." "TIME "
The standout work of the year is Chris Ware s breathtaking treasure chest. "Boston Globe" gift guide
"Building Stories" is a momentous event in the world of comics the unusual format of Ware s book is bound to help redefine yet again what a graphic novel can be. "New Yorker" blog
Surely, no comic book artist has ever created anything quite like this: a glorious treasure box of sorts containing books, pamphlets, leaflets and old-timey newspapers - all of which tell of the daily struggles of the residents of a Chicago building. Heartbreak and flashes of hope illuminate even the tiniest ofpanels. "San Francisco Chronicle" Gift Guide
Pages of extraordinary inventiveness Throughout" Building Stories," Ware s attention to the awkward physicality, the constant humiliations and cruelties of human existence is as precise and as brutally funny as it is in his previous work. "New York Review of Books"
Ware s "Building Stories" is a stunning reminder of the capabilities of print, telling a tender and crushing tale of missed opportunities. "The Huffington Post"
Its brilliance is not debatable The components of"Building Stories"can be read and combined and recombined in any order, producing chance connections and beautiful resonances very much the way life itself does. TIME Top Ten in Fiction
Chris Ware is one of the true modern masters of the sequential art medium and an absolute artisan when it comes to showing the beauty of an ugly truth It s truly masterful storytelling that will be a unique experience for each reader and something that would be impossible in any other medium than print Each of us in our own way is desperately searching for our own sense of meaning, accomplishment, and self-worth, but anyone who has ever felt their creativity suppressed or really anyone who has ever clung onto the good in their bad relationship (or the bad in their good relationship) will see a lot of truth nestled in these almost magical pages. "New York Journal of Books"
Stunningly innovative Basically a book-in-a-box, Building Stories is spread among 14 different pieces 15 if you count the illustrated box itself ranging in size and shape from small and booklet-size to a Little Golden Book-style hardback to a game-board-size fold-out board. All of which might just add up to a clever and daring experiment if Ware s characters weren t so alive, his art so precise and pleasing and his story so vital and heart-wrenching. "Vancouver Sun"
Apparently, no one ever told Chris Ware that print is dead. Or maybe they did and this is his fantastic rebuttal. Ware, the master behind "Jimmy Corrigan: The Smartest Kid on Earth," has created a batch of sad, highly detailed comics with "Building Stories." The catch is the presentation. Inside this oversized box are 14 different stories -- some are traditional books of various sizes, others are magazines, newspapers and small pamphlets. This isn't a graphic novel. It's a library ready to be explored. "Minneapolis Star-Tribune"
Ware masterfully tells the stories in ways that are clear and concise, but also astonishingly creative, bending the progression of images around pages large and small The actual writing is wonderful, both in the measured, sharply observed lives of the different characters, but also in the use of language. Ware knows when thick overstatement in the narration will add a comic edge and also how to shape meandering inner thought processes to get at the contradictory cores of the people on the page. He stuffs his pages with images, and they all have rich ideas behind them.. "Building Stories" is daunting, exhausting and grand. Like Art Spiegelman s "Maus" from two decades earlier, it so completely transcends any attempt to contain its importance to solely the field of comics that it announces itself as nothing less than a vital piece of literature, no qualifiers necessary or welcome. "Spectrum Culture"
Ware s latest has the makings of a modern classic At times Ware's great book feels like it could be about anyone's life. Other times, it doesn't feel like a "book" at all. It's a keepsake box full of things you won't want to forget. "Entertainment Weekly," A+ grade
A visionary boxed collection a stunning triumph for graphic novels as a literature all its own. "Publishers Weekly Comics World"
An eye-popping astonishment. "St. Louis Post-Dispatch"
The book is at its most sublime in its wordless passages. If the documents are read in the order they are packaged, "Building Stories" opens with a brilliant, silent fugue that tells a story in images alone a triumph of imagination. Amid cheap disposability, Ware s work painstakingly honors craftsmanship and originality. He is a rare breed, and his work deserves celebration and preservation While others lament the end of books defeatedly, Ware gives us tangible reasons to delay sounding the death knoll for the printed page. "CS Monitor"
Remarkable...all of it is drawn in Ware's meticulous style, inked in his bright, bold colors, and written in his decidedly literary voice. This is a publishing event; I can't believe it's retailing for only 50 bucks. "Chicago Reader"
"Chris (Ware) really changed the playing field. After him, a lot of (cartoonists) really started to scramble and go holy (expletive), 'I think I have to try harder.'" Seth, author of"It's a Good Life If You Don't Weaken
"Building Stories" will only enhance the artist s exalted status within the world of graphic literature awe-inspiring. "St. Louis Post-Dispatch"
Quietly defies any pre-existing comic conventions. I couldn t wait to write about how ardently I recommend this collection The graphic novel misnomer masks the breadth of old and new creations compiled in this extremely innovative, fascinating anthology, a bold declaration for the wonders of pulp and ink in the digital age. Jenna Marotta, CBS Smart Planet
Destined to become a collector s item. "Vogue" Gift Guide
It s already being hailed as a classic and it was released only Tuesday "Building Stories" gorgeously expands the graphic novel form. "Daily Beast"
One of the strongest arguments against the death of printed paper Ware s genius lies in telling of everyday insecurities and pleasures and various mundania that make us identify with the characters. "Singapore Times"
Ware has single-handedly re-defined the possibilities of the graphic novel form. His work is complex, serious and stunningly beautiful "Building Stories" is a rich, mature work that defies categorization and must be experienced to be fully understood. WICN interview
This week marked the release of Chris Ware s unbelievably wonderful graphic novel "Building Stories," which we (and everyone else) have been awaiting with bated breath for many months. The graphic publishing event of the year, the book is truly a world you can get lost in a total triumph, an immersive story that you can literally (well almost) immerse yourself in. Flavorwire.com
Intelligent, carefully crafted and emphatically not for everyone. "Paste Magazine "
There simply will not be a more beautifully packaged book this year than Chris Ware s "Building Stories," the latest from the master graphic novelist. "Salon"
What sets this latest work apart is its format and how fundamentally that format shapes the reader's experience [a] precise, colorful, intricate and ultimately beautiful book. NPR. Org
Chris Ware s new "Building Stories" confirms his place alongside Nabokov and David Foster Wallace in the pantheon of masterful mindfuck writers...Ware s artistic skills are unmatched. "Philadelphia City Paper"
What "is" surprising is how quickly Ware can dismantle one s preconceived notions of genre, leading the reader far past traditional definitions of what literature or comics is and isn t, and deep into his fictional characters inner lives For readers it s a veritable treasure chest, a deeply layered narrative that can turn, as those familiar with Ware s work have come to expect, on the subtlest of gestures, on the simplest poetry of a character s heartbreaking monologue. But for writers it s a rare opportunity to see the architecture of storytelling stripped bare, to witness an artist at the top of his game as he not only writes his way through the inner lives of his characters, but also transforms his adjectives and adverbs into a stunning visual narrative. "Poets and Writers"
Ware is the rare cartoonist whose art is matched not just by formalist experimentation but also by his storytelling abilities (and, relatedly, his empathy for his fellow human beings) "Building Stories" is the best yet distillation of his talents. thesnipenews.com
"Building Stories" is one of the most compelling and emotionally resonant works I have read in years never before, perhaps, has the mundanity of daily life been given such weight and such beauty Building Stories is a graphic novel of the ordinary that sees the extraordinary at the heart of our day-to-day existence It s the best thing I ve read this year. Knoxville Metropulse
Ware highlights relevant threads in multiple places, teasing full stories that he reveals elsewhere and guiding you masterfully to assemble the whole picture while still letting you feel smart. It may leave you with a hard little knot in your chest about the human condition (birth, maturation, possibly procreation and death, all in a short span and with little to show for it but brief moments of animal joy), but it also somehow makes you enjoy the knowledge. "Paste Magazine"
If there s one release this year that people will be asking you about, odds are it ll be this one There s no way to get ready for Ware beyond clearing one s calendar, so yes: it s time to start calling babysitters. "Flavorwire"
Let s get the obvious out of the way. "Building Stories" is the single greatest argument for the continuation of print comics that could possibly be conceived. "Building Stories" could not exist in any other format and retain its power and beauty. It is a wholly immersive experience which cannot be imitated nor duplicated in a digital format, not matter how powerful the processor or how many dpi your screen resolution "Building Stories" is unlike anything else I have experienced. It is more than a book. It is more than a story. It is a glimpse into the lives of people. "Building Stories" should be in everyone s collection, not just as a work of art, but as a notice of the potential that still exists in storytelling. "Stumptown Trade Review
I can guarantee that you, too, will feel an overwhelming sense of wonderment and religious-grade awe as you open the"Building Stories"box. It s as though you have unearthed god s blueprints for humanity or a treasure trove of someone s very orderly outsider art. This"thing," whatever it is, is straight-up super beautiful, and the experience of reading it is like unwrapping birthday presents and choosing your own adventure all at once. It is the joy of reading incarnate, and I don t think I ve experienced it so intensely since I was a kid. "Building Stories"really is a landmark achievement. It mounts a compelling defense for survival of print like Kidd said, great art can be great business. But more than that, "Building Stories"offers a greater truth about life: even when it s dark and unpleasant, oh man, it is something to behold. The Rumpus
Chris Ware has done it again! Ware continues to dazzle and amaze his fans with breathtaking groundbreaking work! There s never been a book like this before! A new standard is set! The Comics Journal
A feat of ambitious storytelling that doesn t shy away from the microscopically detailed character study that has set Ware s work apart his entire career. "Slate," Cartoonist Studio Prize for Best Graphic Novel of the Year
Takes Ware s approach to visual storytelling to a new level of game-changing Chris Ware s stories are the sheet music that we read to hear music in our hearts. Lit New City
I ve never seen anything like Chris Ware s "Building Stories," and chances are you haven t either, at least in the context of comics. "Building Stories" is aptly named it s not so much a comic book, or even a series of comic books, as it is a set of parts for making your own stories out of the materials provided...The art is fantastically inventive. Playback St. Louis
"Building Stories" will forever distinguish [Ware] as one of the preeminent figures in comic book narrative and illustration Ware s crisp, detailed style is at the heart of the illustrative body of the work. The line work is impeccably smooth, and rich colors of all hues radiate from the page. Gorgeous renditions of blooming spring flowers and rain-soaked leaves are tempered by somber and contemplative scenes of half-lit domestic interiors, which are drawn out with such bleak details as single beds, accumulating dirt, and molding scraps of food. And in that uniquely and traditionally Ware way, these initially humble and simplistic images use their apparent quietness to usher the reader into the world of the text. "Chicago Maroon"
Feels very good and looks even better the illustrations of a genius unleashed by mixed media, ultimately making us feel good about our losses and our loneliness, our dreams and our expectations.A magnificent undertaking by any measure. Counterpunch
Both a remarkable physical object and a moving exploration of how the spaces we live in affect us. "Entertainment Weekly"
Ware s masterful project balances thoughtful storytelling, aesthetic beauty, scrupulous detail, and fancies both lofty and earthbound. The insular but lush world of lonely people that emerges is one of the year s most affecting. "Time Out New York," Best of 2012
No other graphic novel compares to" Building Stories." Taken merely as a story, it is insightful, compelling, and evocative. Ware s drawings and innovative design raise Building Stories to another level. One that results in a rich and rewarding read, and that demonstrates the full scope a graphic novel can achieve. AARP blog
Monumental. "Pittsburg Post-Gazette"
A work of art Ware has an extraordinary instinct for the empathic illumination of banality. He makes plain beautifully and unsentimentally plain the fact that nothing is more ordinary than to be lonely and despairing and dying. Perhaps this sounds depressing. It isn t. Only bad art is depressing; good art, no matter what its subject, is exhilarating."Building Stories" takes everyday sadness and makes something very beautiful of it, something powerfully human and true. That is a rare gift, and I m very thankful to have received it. The Millions
Ware s inventive storytelling techniques make the best possible case for the physical book as an integral part of storytelling. The Stranger
Utterly unique For readers it s a veritable treasure chest, a deeply layered narrative that can turn, as those familiar with Ware s work have come to expect, on the subtlest of gestures, on the simplest poetry of a character s heartbreaking monologue. But for writers it s a rare opportunity to see the architecture of storytelling stripped bare, to witness an artist at the top of his game as he not only writes his way through the inner lives of his characters, but also transforms his adjectives and adverbs into a stunning visual narrative. Poets and Writers
Literally the Best Thing Ever: Chris Ware. His books are as big and as small as the world. Rookie Magazine
With the release of Building Stories, Chris Ware has created a graphic novel that is the perfect antidote to our distracted times, a work of art that forces you to consider it, not while elbow-warring on the bus or during other transitory in-between moments, but while keeping things stationary in a quiet place where you feel comfortable having your world rocked. KQED online review
The work reads as if Ware were painting a mural in illustration of a series of philosophical issues: what it means to love, what it means to be alone, what it means to be part of a social construct, what it means to be an inanimate object, what it means to be a city, and even, at certain particularly poignant moments, what it means to be a color. And as such, the title is an understatement: the real story told here is the story of the world, and how we live in it. Full Stop.net
Awe-inducing As usual with Ware, the verite drawing style is impeccable, every mark and color just so, the frames natural and exquisite. L Magazine
A beautiful collection of cartoons "Building Stories" begs not merely to be displayed but to redecorate your house. "Newsday"
I have now spent a week in sloppy communion with "Building Stories" and am ready to declare it one of the most important pieces of art I have ever experienced. I also sort of want to kill myself ..Much can and will be said about Ware s decision, along with Pantheon s, to publish such an inconvenient product, and how it flies in the face of publishing trends, which veer, ever more desperately, toward the convenience of electronic reading. As someone who self-publishes books, and refuses to make them available on devices, I applaud everyone involved even my children, who eventually left me alone to pore over what they called my weirdo picture books. But what makes "Building Stories" monumental isn t its unorthodox format. It s Ware s ruthless and tender pursuit of undisguised emotion. His work is brutal in the way all great art is. I can t wait to experience it again. Steve Almond, "The New Republic"
It s in Ware s empathy and humanity that he distinguishes himself, and you ll find yourself drawn back to his nameless characters time and time again...As for where to start and end your journey, "Building Stories" has one great advantage over real life: you can dip back into the box and experience it a million different ways. Monkey Bicycle
Even if you're not a comics reader, you've probably heard of Chris Ware, and for a good reason: He has redefined what comics can do Ware has crafted a springboard for his inventiveness, his intelligence, and his thoughtful approach to tacking issues of family, marriage, friendship, loneliness, aging and loss. Through his mastery of comics' potential, and the wealth of ways that images and words can interact, Ware has invented methods of moving through time that neither books nor films can match "Building Stories" is not only important, it's fun to read. NPR Critics' List Summer 2013"
"The New York Times Book Review, " Top 10 Book of the Year
"Time Magazine, " Top Ten Fiction Book of the Year
"Publishers Weekly, "Best Book of the Year
"2013 Lynd Ward Prize, " Best Graphic Novel of the Year
"4-time 2013 Eisner Award Winner, " including Best Publication, Best Writer/Artist and Best Graphic Album
"Newsday," Top 10 Books of 2012
"Entertainment Weekly," Gift Guide, A+
"Washington Post," Top 10 Graphic Novels of 2012
"Minneapolis Star Tribune," Best Books of the Year
"Cleveland Plain Dealer," Top 10 Fiction Books of the Year
Amazon, Best Books of the Year/Comics
"Boing Boing," Best Graphic Novel of the Year
"Time Out New York," Best of 2012
"Entertainment Weekly," Best Fiction of 2012
Everything you need to read the new graphic novel "Building Stories" 14 distinctively discrete Books, Booklets, Magazines, Newspapers, and Pamphlets.
With the increasing electronic incorporeality of existence, sometimes it s reassuring perhaps even necessary to have something to hold on to. Thus within this colorful keepsake box the purchaser will find a fully-apportioned variety of reading material ready to address virtually any imaginable artistic or poetic taste, from the corrosive sarcasm of youth to the sickening earnestness of maturity while discovering a protagonist wondering if she ll ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage. Whether you re feeling alone by yourself or alone with someone else, this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle- and upper-class literary public (and which can return to them in somewhat damaged form during REM sleep).
A pictographic listing of all 14 items (260 pages total) appears on the back, with suggestions made as to appropriate places to set down, forget or completely lose any number of its contents within the walls of an average well-appointed home. As seen in the pages of "The New Yorker," "The New York Times" and "McSweeney s Quarterly Concern," "Building Stories" collects a decade s worth of work, with dozens of never-before-published pages (i.e., those deemed too obtuse, filthy or just plain incoherent to offer to a respectable periodical).
Publishers Weekly 06/25/2012 pg. 158 (EAN 9780375424335, Other) - *Starred Review
Kirkus Reviews 08/01/2012 pg. 1581 (EAN 9780375424335, Other) - *Starred Review
Kirkus Reviews Fall Preview 08/15/2012 pg. 13 (EAN 9780375424335, Other) - *Starred Review
Booklist 09/15/2012 pg. 58 (EAN 9780375424335, Other) - *Starred Review
Entertainment Weekly 10/05/2012 pg. 79 (EAN 9780375424335, Other)
New York Times Book Review 10/21/2012 pg. 1 (EAN 9780375424335, Other)
New York Times Book Review 10/28/2012 pg. 22 (EAN 9780375424335, Other)
Publishers Weekly Best Books 11/05/2012 pg. 21 (EAN 9780375424335, Other)
Kirkus Best Fiction 11/15/2012 pg. 41 (EAN 9780375424335, Other)
Shelf Awareness 11/23/2012 (EAN 9780375424335, Other)
Entertainment Weekly 11/30/2012 pg. 48 (EAN 9780375424335, Other)
NY Times Notable Bks of Year 12/02/2012 pg. 25 (EAN 9780375424335, Other)
New York Review of Books 12/20/2012 pg. 66 (EAN 9780375424335, Other)
Entertainment Weekly 12/28/2012 pg. 104 (EAN 9780375424335, Other)
New York Times Book Review 02/09/2014 pg. 17 (EAN 9780375424335, Other)
Wilson Fiction Catalog 01/01/2014 pg. 1114 (EAN 9780375424335, Other)